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Elizabeth Geiger majored in painting at the University of Virginia and continued her studies at the New York Studio School and the Vermont Studio Center. She has won a fellowship from the Virginia Museum of Fine Arts and shown regularly throughout the East Coast. Her work is in the collection of the Sheltering Arms Hospital Richmond as well as the Clay Center Museum of Fine Art in Charleston, WV.
Known for her dramatic still life paintings, she has recently also focused her painting practice on landscape. Along with her regular teaching at the Beverley Street Studio School in Staunton, VA, she has been a visiting artist at the College of William & Mary and the Kentucky College of Art & Design. In addition she has spoken at universities and leads workshops throughout the Eastern United States.
Geiger has said of her still-lifes, “My paintings begin with a feeling of excitement—a rightness with the light. A feeling of space, a group of forms, a chord of colors can all start the process. A good set up feels like a memory—one I would like to have.”
Elizabeth Geiger majored in painting at the University of Virginia and continued her studies at the New York Studio School and the Vermont Studio Center. She has won a fellowship from the Virginia Museum of Fine Arts and shown regularly throughout the East Coast. Her work is in the collection of the Sheltering Arms Hospital Richmond as well as the Clay Center Museum of Fine Art in Charleston, WV.
Known for her dramatic still life paintings, she has recently also focused her painting practice on landscape. Along with her regular teaching at the Beverley Street Studio School in Staunton, VA, she has been a visiting artist at the College of William & Mary and the Kentucky College of Art & Design. In addition she has spoken at universities and leads workshops throughout the Eastern United States.
Geiger has said of her still-lifes, “My paintings begin with a feeling of excitement—a rightness with the light. A feeling of space, a group of forms, a chord of colors can all start the process. A good set up feels like a memory—one I would like to have.”
Still Life with Gas Can
Oil on Linen
36"x38"
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Green Table Still Life with Jug and Zinnias
Oil on Linen
32"x28"
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Still Life after Van Steenwyck and Picasso
Oil on Linen
30" x 32"
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Roses + Brick
Oil on Linen
20" x 12"
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Still Life with Fruit and Skull
Oil on Linen
36"x 42"
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Still life on Yellow Table
Oil on Linen
12" x 10"
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Untitled
Oil on Paper
10" x 10"
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Still Life with Red Toolbox
Oil on Linen
9”x10”
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Yellow Table with Teapot, Cabbage, and Can Opener